INCH WORM
I got the chance to act out deepest fantasy. I learned how to animate a worm to make it look like it’s moving. Mark Olson taught his young Padawans how to do it by using the puppet pin tool in Adobe After Effects. I am very proud of this project, as it was my first time making a 2D animation that didn’t make me want to burst into tears. My greatest strength would have to have been drawing my worm, while my weakness was animating it to look a little more realistic. If I was forced to do this project again, I would be tempted to sigh uncontrollably. But, I would make the background of the animation so much better.
STORY ANIMATION
This was easily the project I despised the most throughout my Animating career. We took everything we learned from AfterEffects and poured it all into one single story. This is my child, the apple of my eye, the piece de resistance, my legacy. When my grandchildren ask me what my best accomplishment in life was, I will link them my e-Comm blog. I drew every possible scene for this story that I could think of in PhotoShop (which I despise), and animated it all in AfterEffects. The only thing I would change is adding more scenes to this beautiful piece of art, as I was greatly saddened when we reached the deadline.
MAYA CASTLE
After mastering MAYA, we went back a couple steps and just made this weird hollowed out sphere. We used shaped to cut out spaces from other shapes, and made a normal sphere look a little thin. We also used more lighting in this, three point lighting specifically. The final product was just a geometrical mass that looks kind of pretty with the lights on. If I could’ve done this again I wouldn’t. But if I had to do this again, I would try to make the shape a more appealing color.
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